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William-Adolphe Bouguereau

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The Crab, Bouguereau
The Crab

 Child Braiding a Crown William-Adolphe Bouguereau
Child Braiding
a Crown

The Earrings William-Adolphe Bouguereau
The Earrings

 Jesus and John the Baptist William-Adolphe Bouguereau
Jesus and John
the Baptist

 Girl with Seashell William-Adolphe Bouguereau
Girl with
Seashell

 Not to Much to Carry William-Adolphe Bouguereau
Not to Much
to Carry 

 The Spinner William-Adolphe Bouguereau
The Spinner

 Modesty William-Adolphe Bouguereau
Modesty

The Grape Picker William-Adolphe Bouguereau
The Grape
Picker
 

Little Brother William-Adolphe Bouguereau
Little Brother

 
Zenobia on the
banks of the Araxes

 Bachante
Bacchante

 Little Knitter
Little Knitter
1879

 Little Knitter
Little Knitter

 

La brie du Printemps La brie du Printemps
  Ilalian Peasant Kneeling with Child
Cherry Picker

 Psyche
Psyche
   
All images on this page printed on artist's canvas, stretched, ready to frame.

Biography: William Adolphe Bouguereau

Born in La Rochelle, France, William Adolphe Bouguereau began his studies in 1838 with Louis Sage, a student of renowned Romantic painter Ingres. After moving to Bordeaux in 1842, the artist attended the cole Municipale de Dessin et de Peinture in Bordeaux. Bouguereau gained local acclaim as a talented portrait painter before going to Paris in 1846 to attend cole des Beaux Arts, noted for its traditional academic approach to painting. In 1850 Bougereau was awarded the coveted Prix de Rome and spent four years at the Villa Medici studying Classical and Renaissance masterpieces. The potent influence of Classical works is readily apparent in works dating after this period. Bouguereau blended classical poses and subject matter with his own romanticized realism rendered in the highly finished style that would come to characterize his paintings. During the 1870s Bouguereau's focus shifted from historical and genre scenes to lighter, lyrical mythological subjects. Highly regarded by his contemporaries, Bouguereau was awarded numerous state commissions and, at the height of his career, taught at the Academie Julian and the cole des Beaux Arts. Throughout his lifetime, Bouguereau staunchly defended the academic tradition of painting and was viewed as an obstructionist by the new generation of painters who were experimenting with Impressionism. While immensely popular during his lifetime, Bouguereau's reputation suffered with the advent of the modernists who viewed his work as mediocre and overly sentimental. Recent exhibitions have focused attention on the contribution of mid-19th century artists and Bouguereau's work has enjoyed a resurgence in popularity.