Illusions Gallery Fine Art Prints on Canvas


William-Adolphe Bouguereau

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Bacchante on a Panther
Bacchante on a Panther

La Frileuse
La Frileuse


Schoolgirl
Schoolgirl


A Bunch of Grapes
A Bunch of Grapes

Young Sheperdess, 1868
Young Sheperdess, 1868

Orphan at the Spring
Orphan at the Spring
The Story Book The Story Book
Maternal Admiation Maternal Admiation

Cupid on the Lookout
Cupid on the Lookout

Cupid Flying  Over Water
Cupid Flying
Over Water

Jewels of the Field
Jewels of
the Field

Little Esmeralda
Little Esmeralda

 A Dryad
A Dryad
Wounded Cupid Wounded Cupid

Little Ophelia
Little Ophelia
(La Petite Ophelie)
 

 The Secret
The Secret

  Lost Pleiad
 Lost Pleiad

Holy Women at the Tomb
Holy Women at
the Tomb
Dawn Dawn
Day Day
Evening Mood Evening Mood

Night (Nuit)
Night (Nuit)
The Birth of Venus The Birth of Venus

Innocence
Innocence

The Pony Back Ride
The Pony Back Ride

Woman with Captive Cupid
Woman with
Captive Cupid
 
Bacchante Bacchante
Song of the Angels Song of the Angels
Virgin and Angels Virgin and Angels
Idyll Idyll 
 Childhood Idyll Childhood Idyll
Youth of Bacchus Youth of Bacchus

Biography: William Adolphe Bouguereau

Born in La Rochelle, France, William Adolphe Bouguereau began his studies in 1838 with Louis Sage, a student of renowned Romantic painter Ingres. After moving to Bordeaux in 1842, the artist attended the cole Municipale de Dessin et de Peinture in Bordeaux. Bouguereau gained local acclaim as a talented portrait painter before going to Paris in 1846 to attend cole des Beaux Arts, noted for its traditional academic approach to painting. In 1850 Bougereau was awarded the coveted Prix de Rome and spent four years at the Villa Medici studying Classical and Renaissance masterpieces. The potent influence of Classical works is readily apparent in works dating after this period. Bouguereau blended classical poses and subject matter with his own romanticized realism rendered in the highly finished style that would come to characterize his paintings. During the 1870s Bouguereau's focus shifted from historical and genre scenes to lighter, lyrical mythological subjects. Highly regarded by his contemporaries, Bouguereau was awarded numerous state commissions and, at the height of his career, taught at the Academie Julian and the cole des Beaux Arts. Throughout his lifetime, Bouguereau staunchly defended the academic tradition of painting and was viewed as an obstructionist by the new generation of painters who were experimenting with Impressionism. While immensely popular during his lifetime, Bouguereau's reputation suffered with the advent of the modernists who viewed his work as mediocre and overly sentimental. Recent exhibitions have focused attention on the contribution of mid-19th century artists and Bouguereau's work has enjoyed a resurgence in popularity.